Total digital revenues increased by $3,133 thousand, or 24%, during the three months ended December 31, 2022 compared to the three months ended December 31, 2021. Total digital revenues represented 53% and 50% of consolidated revenues for the three months ended December 31, 2022 and the three months ended December 31, 2021, respectively.
Music Publishing revenues increased by $2,466 thousand, or 14%, during the three months ended December 31, 2022 compared to the three months ended December 31, 2021. This increase in Music Publishing revenue was mainly driven by strong organic growth on streaming platforms, as well as acquisitions of catalogs and revenue from the existing catalog, which led to increases in digital revenue, synchronization revenue and performance revenue. These increases were partially offset by a decrease in other revenues reflecting the nonrecurrence of revenues recognized in the prior year from Dubai Expo.
On a geographic basis, U.S. Music Publishing revenues represented 56% of total Music Publishing revenues for the three months ended December 31, 2022 compared to 49% for the three months ended December 31, 2021. International Music Publishing revenues represented 44% of total Music Publishing revenues for the three months ended December 31, 2022 compared to 51% for the three months ended December 31, 2021. The shift in geographic mix is primarily the result of an increase in U.S. mechanical royalties and an increase in synchronization revenue attributed to the U.S.
Recorded Music revenues increased by $53 thousand, or 1%, during the three months ended December 31, 2022 compared to the three months ended December 31, 2021. Digital revenue increased by $748 thousand, or 17%, primarily due to recent acquisitions of various Recorded Music catalogs and the continued growth at music streaming services. The $150 thousand decrease in physical revenue is related to lower revenue on artist royalty associated with physical sales from third-party record labels. Synchronization revenue decreased by $793 thousand as a result of fewer licenses being placed in the three months ended December 31, 2022 compared to the three months ended December 31, 2021. The $249 thousand increase in neighboring rights revenue was primarily due to recent acquisitions of various Recorded Music catalogs.
On a geographic basis, U.S. Recorded Music revenues represented 55% of total Recorded Music revenues for the three months ended December 31, 2022 compared to 48% for the three months ended December 31, 2021. International Recorded Music revenues represented 45% of total Recorded Music revenues for the three months ended December 31, 2022 compared to 52% for the three months ended December 31, 2021. This shift in Recorded Music geographic mix was driven primarily by improved strong domestic performance of various owned Recorded Music catalogs, partially offset by an unfavorable impact on Chrysalis revenue from the change in the GBP to U.S. dollar exchange rate.
Nine Months Ended December 31, 2022 vs. Nine Months Ended December 31, 2021
Total revenues increased by $14,758 thousand, or 20%, during the nine months ended December 31, 2022 compared to the nine months ended December 31, 2021, driven by an 17% increase in Music Publishing revenue, a 22% increase in Recorded Music revenue and a 165% increase in Other revenue related to the Company’s artist management business, reflecting strong touring and merchandise revenue in a post-COVID environment. Music Publishing revenues represented 69% and 71% of total revenues for the nine months ended December 31, 2022 and the nine months ended December 31, 2021, respectively. Recorded Music revenues represented 27% and 27% of total revenues for the nine months ended December 31, 2022 and the nine months ended December 31, 2021, respectively. Other revenue represented 3% and 1% of total revenues for the nine months ended December 31, 2022 and the nine months ended December 31, 2021, respectively. U.S. and international revenues represented 59% and 41%, respectively of total revenues for the nine months ended December 31, 2022. U.S. and international revenues represented 52% and 48%, respectively of total revenues for the nine months ended December 31, 2021. The shift in mix between Music Publishing and Recorded Music and the shift in geographic mix are both primarily attributable to the Tommy Boy Acquisition. Additionally, the shift in geographic mix is partly the result of an updated estimate of U.S. mechanical royalties related to the recent CRB ruling and an unfavorable impact on Chrysalis revenue from the change in the GBP to U.S. dollar exchange rate.
Total digital revenues increased by $10,044 thousand, or 26%, during the nine months ended December 31, 2022 compared to the nine months ended December 31, 2021. Total digital revenues represented 56% and 53% of consolidated revenues for the nine months ended December 31, 2022 and the nine months ended December 31, 2021, respectively.
Music Publishing revenues increased by $8,691 thousand, or 17%, during the nine months ended December 31, 2022 compared to the nine months ended December 31, 2021. This increase in Music Publishing revenue was mainly driven by acquisitions of catalogs and revenue from the existing catalog, which led to increases in digital revenue, synchronization revenue and performance revenue. These increases were partially offset by a decrease in other revenue and mechanical revenue.